A Gothic hall church dedicated to Saint Ursula was built in the second half of the 15th century in the southeast corner of the village green, in the centre of the village. The choir with a 5/8 apse is cross-ribbed-vaulted. The Gothic profiling is recognizable at the west portal and at the traceried windows in the choir. A parapeted timber-framed defence storey was built on buttresses and brick arches at the beginning of 16th century. The bell tower, too, is strengthened with a truss-framed defence storey. The interior is marked by the galleries built on three sides of the church hall in the 18th century. The defence floors of the church and of the choir were demolished in the second half of the 19th century and a neo-Gothic bell tower was built before the west façade of the church. Of the four towers, which once fortified the medieval polygonal enclosing wall, only a hexagonal tower situated in the north-west corner of the church and another with a square ground plan and placed in the southeast corner of the enclosure are still extant at present.
A Gothic hall church dedicated to Saint Ursula was built in the second half of the 15th century in the southeast corner of the village green, in the centre of the village. The choir with a 5/8 apse is cross-ribbed-vaulted. The Gothic profiling is recognizable at the west portal and at the traceried windows in the choir. A parapeted timber-framed defence storey was built on buttresses and brick arches at the beginning of 16th century. The bell tower, too, is strengthened with a truss-framed defence storey. The interior is marked by the galleries built on three sides of the church hall in the 18th century. The defence floors of the church and of the choir were demolished in the second half of the 19th century and a neo-Gothic bell tower was built before the west façade of the church. Of the four towers, which once fortified the medieval polygonal enclosing wall, only a hexagonal tower situated in the north-west corner of the church and another with a square ground plan and placed in the southeast corner of the enclosure are still extant at present.
The pre-Reformation Gothic winged altar from 1513 has scenes from the life of St. Ursula and eight depictions of the Passion on its panels. Under the late Gothic sprinkling of the shrine is a later wooden sculpture depicting Christ as the Judge of the World. The altar was brought to the Hill Church in Sighisoara in 2005.
Wooden galleries are built in the west, north and south of the church. They are painted in the peasant baroque style of the Rupea region. The years 1768 and 1770 can be read on the parapet.
Today's organ was built in 1912 by Karl Einschenk (Brasov). It has manual, pedal and 7 registers.
Around 1500 a polygonal ring wall was built around the church. In the north-east, south-east and south-west a square tower is built, projecting in front of the wall. Around 1600 a massive hexagonal tower is built in the north-west. When the school was built around 1900, the southwest tower and part of the wall were removed. The enclosing wall to the east collapses a few years later.
1442 | A document of John of Hunyad is issued in Beia and contains the first mention of the place. |
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1450-1500 | Construction of a Gothic hall church. |
1500 | Beia is a parish of the Sighisoara See, in which 39 families, 4 shepherds and a schoolmaster live. |
1500-1525 | The church is fortified. |
1671 | Fire in the community. 98 families, 9 settlers and 16 widows live in the village. |
1703 | The community is heavily in debt. |
1850-1900 | The fortifications of the church are demolished. |
1892 | A new bell tower is built of bricks on the west side of the old tower. |
1909 | The enclosing wall of the fortified church to the east collapses. |
2005 | The altar is brought to the Church on the Hill in Sighisoara. |